Summary of "Action on Ableism Gathering" - July 2024

The Action on Ableism Gathering brought together representatives from arts organizations, funders, and artists with disabilities to discuss and address the pressing issues faced by disabled artists and to brainstorm ways to bridge the gaps in accessibility, funding, and inclusion. Hosted at the Nina Haggerty Centre and facilitated by the John Humphrey Centre for Peace and Human Rights (JHC), the event aimed to bridge the gaps between stakeholders and foster intersectionality, particularly focusing on anti-ableism in the arts.

The gathering operated in a circle format, ensuring equitable space for all voices, particularly centering those of artists with disabilities. Notable participants included artists from diverse backgrounds, educators, organizational leaders, and representatives from funding bodies like the Alberta Foundation for the Arts and the Edmonton Arts Council.

The gathering of artists with disabilities, funders, and organizations was a powerful and enlightening conversation that revealed a shared commitment to bridging gaps in accessibility, funding, and inclusion. This synthesis captures the diverse insights and actionable suggestions that emerged from the discussions.

We thank Employment and Social Development Canada (ESDC), the National AccessAbility Week Grant, and the Canada Council for the Arts Seed Grant for providing the resources that allowed us to do this work.


Bridging the Gaps in Accessibility

Participants emphasized the need for enhancing accessibility through technology and physical spaces. Recommendations included using accessible technology such as word documents instead of PDFs and ensuring compatibility with screen readers. Sensory-friendly spaces with appropriate lighting, breaks, and flexibility were also highlighted as essential. The true diversity of the arts can only be achieved by embracing different aesthetics and eliminating physical barriers like stairs, as well as ensuring accessible transportation to and from venues.

Policy and Advocacy

The importance of policies that protect artists from discrimination and reduce gatekeeping was underscored. Disabled artists should be valued and fairly compensated, not commodified. Advocacy for increased funding was a recurring theme, highlighting the lack of resources for support agencies and the need for financial security for artists. There was a strong call for representation of people with lived experiences in all decision-making spaces.

Education and Training

Education on non-linear viewpoints and inclusivity training for organizations were identified as key to shifting perspectives and confronting ableism. Organizations should normalize asking individuals about their accommodation needs instead of making assumptions. This approach fosters a more inclusive and supportive environment.

Practical Support and Infrastructure

Supporting disabled artists practically involves providing accessible equipment and supplies, as well as spaces for practice and performance. Multiple ways for artists to express their ideas—verbally, in writing, or via video—are crucial. Mental health support for unsuccessful applicants and reducing the stigma associated with disabilities were also mentioned as critical needs.

Organizational Responsibilities

Organizations must proactively assess and improve accessibility, including physical accessibility in galleries and venues and support for literacy and navigating systems. The responsibility for accessibility should not fall solely on individuals. Both online and in-person events present challenges, particularly around accessibility and transportation.

Funders and Financial Barriers

Funders were called upon to increase funding specifically for artists with disabilities and provide infrastructure and paid support within organizations. Flexibility with submission deadlines and offering multiple application formats can reduce barriers for disabled artists. Funders play a crucial role in supporting accessibility initiatives through transparent and inclusive grant processes and sustained funding for stable employment opportunities.

Artists' Experiences and Challenges

Artists shared their personal experiences, highlighting societal and institutional barriers. Frustrations with pervasive ableism, lack of support, and fear of disclosing disabilities were common themes. Direct discrimination and challenges in performance spaces, transportation, and funding were also discussed. The need for societal change and greater support and recognition of disabled artists' unique contributions was evident.

Challenges Discussed

  • Physical and systemic barriers in accessing arts spaces and resources.

  • Issues with grant applications and the need for support in navigating complex processes.

  • Experiences of ableism, including lack of accommodations and negative attitudes.

  • Specific challenges in performance spaces, transportation, and funding opportunities.

Accommodations and Support Needs

Participants highlighted the need for various accommodations such as accessible transportation, adaptive equipment, and grant writing support. Inclusive physical spaces, accessible technology, and recognition of the additional time required for disabled artists to navigate processes were emphasized.

Organizational Efforts

Several organizations shared their efforts to improve accessibility, including:

  • Physical modifications to spaces.

  • Developing accessible programs and workshops.

  • Offering individual support for grant applications.

  • Addressing systemic barriers and fostering inclusive cultures within organizations.

  • Emphasizing the need for more funding and resources to support these initiatives.

Funding and Resource Allocation

Discussions highlighted the critical role of funders in supporting accessibility initiatives. Transparent and inclusive grant application processes, sustained funding, and stable employment opportunities for disabled artists are essential.

Suggestions for Improvement

Participants suggested practical steps for organizations and funders:

  • Engaging directly with disabled artists to understand their needs.

  • Providing stable funding for accessibility projects.

  • Redesigning grant systems to be more user-friendly.

  • Increasing awareness and training within organizations to foster inclusive environments.

Closing Reflections

  • Participants expressed appreciation for the open dialogue and shared insights.

  • Calls for continued collaboration and ongoing conversations to address barriers and support inclusion in the arts.

  • Recognition of the progress made and the work still needed to create truly accessible and inclusive spaces for disabled artists.


Conclusion

The gathering highlighted the importance of intersectional approaches to ableism in the arts and the collective effort required to support disabled artists. Continued collaboration, transparent communication, and sustained funding are essential to creating inclusive and equitable spaces in the arts sector. This gathering shed light on the urgent need for systemic changes to support disabled artists. By embracing inclusivity, enhancing accessibility, and advocating for fair policies and funding, we can create a more equitable and vibrant arts community.

The gathering concluded with a collective call to action: to listen, to learn, and to implement changes that will foster a more inclusive and supportive environment for artists with disabilities. By addressing the practical, policy, and societal barriers, and by centering the voices and experiences of disabled individuals, it is possible to create a more equitable and vibrant arts community.